{"title":"JHS","description":"","products":[{"product_id":"549","title":"JHS 3 Series Octave Reverb","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Unforgettable Fire\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.\u003c\/p\u003e\n\u003cp\u003eTHE JHS PEDALS 3 SERIES OCTAVE REVERB RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772329808171,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3_Series-Octave-Reverb-Front.jpg?v=1698175675"},{"product_id":"550","title":"JHS 3 Series Fuzz","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772329906475,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3-Series-Fuzz-front.png?v=1698175657"},{"product_id":"551","title":"JHS Overdrive Preamp","description":"\u003cp\u003e\u003cspan\u003eIn 2019 I stumbled across a pedal that didn’t exist.  Yeah, cue the \u003c\/span\u003e\u003cem\u003eTwilight Zone\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003etheme song.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIt was a DOD Overdrive \/ Preamp that predated the “Gray Box” 250 pedals that everyone– myself included –had assumed were the first version ever made. The pedal was encased in a large gray folded metal enclosure that resembled Electro-Harmonix more than DOD, and it was conspicuously lacking the “250” model number. The typeset and DOD logo were different, but it still had the same charm and quirky feel of the vintage 1970s DOD. The sticker on the pedal’s backplate said “DOD Electronics Company” and listed the home address of founder David Oreste Di Francesco, as well as a number: 75. According to my interview with David himself a year later, I had found the 75th DOD pedal\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eever made\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand one of the first ten DOD Overdrive \/ Preamps (250)\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eever sold\u003c\/em\u003e. This stompbox represented the genesis of “America’s Pedal.” For a pedal historian, it was the equivalent of uncovering the Dead Sea Scrolls. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe internals featured a floating\/loose hand-etched PCB and the same DOD 250 circuit, but with a few changes. The internal parts dated as early as 1972 and, according to David, were harvested from old radios and electronics he scavenged when he started building his first effects. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Overdrive Preamp is a faithful replication of this unobtainable V1 of DOD’s most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain\/grit overall and more unique low\/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe standard Overdrive \/ Preamp will be part of our normal JHS lineup. Buy yours today and experience the history of one of the greatest overdrive\/preamp circuits ever made.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 51MA, AND MEASURES 4.7\" X 3.7\" X 1.66”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330103083,"sku":null,"price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/image-asset.png?v=1698175761"},{"product_id":"552","title":"JHS Kilt V2","description":"\u003ch2\u003e\u003cstrong\u003eOVERDRIVE \/ FUZZ \/ DISTORTION\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eWhen we got the opportunity to work with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn’t pass it up. Right out of the gate Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and the V2 has been honed into a compact and versatile tone-machine.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eEXPANDORA AT HEART\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Kilt V2 has the same fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that feels even better than the original Expandora. Three toggles enhance the tweakability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different from typical diode clipping selectors used in drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion-- and everything in between.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTOGGLES FOR DAYS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup\u003c\/p\u003e\n\u003cp class=\"\"\u003e– G1 flipped up adds a touch of drive for more riffy grit\u003c\/p\u003e\n\u003cp class=\"\"\u003e– G2 flipped up puts you dangerously close to distortion, with more saturation and sustain for lead tones\u003c\/p\u003e\n\u003cp class=\"\"\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/p\u003e\n\u003cp class=\"\"\u003eand four toggles.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 64MA, AND MEASURES 2.6” X 4.8” X 1.6”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330168619,"sku":null,"price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Kilt.png?v=1698175864"},{"product_id":"553","title":"JHS Mini Foot Fuzz V2 DISCONTINUED","description":"\u003cp\u003eFuzz pedal DISCONTINUED\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330201387,"sku":null,"price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/mini-foot-fuzz-top.jpg?v=1738715230"},{"product_id":"554","title":"JHS Prestige","description":"\u003ch2\u003e\n\u003cstrong\u003eBUFFER \/ BOOSTER\u003c\/strong\u003e  \u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals Prestige is a booster\/buffer\/enhancer that will give you that “something”, the magic that you’ve been looking for. In a simple package, the Prestige can be used as an always-on preamp or buffer, or you can crank it up to send your amp into a natural overdrive that will dazzle audiences far and wide.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Prestige features one knob for volume. In the first 25%, you have a natural buffer\/enhancer that is great for long cable runs or just to add a touch of brightness to your signal. At 25% to 75% the Prestige becomes a volume boost to give you a nice push for solos or to put in front of an overdrive to create more saturation. Above 75% and you’ll be sending your amp into a meaty natural breakup by pushing the tubes on your amp. This can be used as a first stage overdrive or a second stage to maintain your other overdrives’ tone while giving more of everything you love.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- One knob that has plenty of tricks up its sleeve\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Buffer\/Enhancer for long cable runs or an always-on preamp\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Booster for solos, saturating another overdrive or overdriving your amp\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 7mA, AND MEASURES 3.6\" x 1.5\" x 1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330234155,"sku":null,"price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS_Pedals_Prestige.png?v=1698176027"},{"product_id":"555","title":"JHS Active A\/B\/Y","description":"\u003ch2\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals Active A\/B\/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.\u003c\/p\u003e\n\u003cp class=\"\"\u003eJust plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged.  Hit the right “Y” footswitch to engage BOTH mono outputs.  Because the Active A\/B\/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Active A\/B\/Y has a high impedance buffered input. The outputs are isolated from each other to eliminate ground loops. The transformer isolated output, the A channel (red LED), has a signal polarity reversal switch that can be used in cases where there is signal cancellation. When the side switch is pushed in, the polarity is inverted. The signal polarity reversal switch only applies to the A channel (red LED). \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A\/B\/Y will be the one pedal that you can never leave home without!\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 47MA, AND MEASURES L 4.42” X W 2.38” X H 1.22”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE ACTIVE A\/B\/Y IS DESIGNED TO WORK WITH INPUT SIGNALS THAT ARE BELOW 14V INPUT GAIN. ANYTHING ABOVE 14V INPUT GAIN WILL CAUSE THE UNIT TO CLIP.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330332459,"sku":null,"price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Active_ABY.png?v=1698176074"},{"product_id":"556","title":"JHS Little Black Buffer","description":"\u003ch2\u003e\u003cstrong\u003eBUFFER UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThough it’s a fairly nondescript-looking piece of gear, our Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard. By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away. And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard. Give the Little Black Buffer a try. You’ll wonder how you went so long without one. \u003c\/p\u003e\n\u003ch4\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE\u003c\/h4\u003e\n\u003cp class=\"\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want a quality buffer in your signal chain. The Little Black Buffer is like giving your guitar’s tone a shot of adrenaline, ensuring it hits your amp with the same strength and character as it left your fingers.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e- Retains the original tone of your guitar without tone loss from other gear in your signal chain \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eAn active buffer, such as the Little Black Buffer, is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\"\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Little Black Buffer\/Buffered Splitter is designed to work with signal levels up to +4dBu. Exceeding +4dBu will cause clipping!\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330365227,"sku":null,"price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Little_Black_Buffer.png?v=1698176096"},{"product_id":"557","title":"JHS 3 Series Flanger","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330430763,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/image-asset.jpg?v=1698175474"},{"product_id":"558","title":"JHS 3 Series Reverb","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330823979,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3-Series-Reverb-front.png?v=1698175727"},{"product_id":"559","title":"JHS 3 Series Distortion","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330856747,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3-Series-Distortion-front.png?v=1698175411"},{"product_id":"560","title":"JHS AT+ Andy Timmons","description":"\u003ch2\u003e\u003cstrong\u003eANDY TIMMONS SIGNATURE OVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eIn 2016 we brought you Andy Timmons’ artist signature pedal, the AT or @, and we're really proud to bring you the next iteration of this phenomenal stomp box: The AT+.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDOES THE AT+ SOUND THE SAME AS THE ORIGINAL AT?\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different amplifier wattages. The up position is the 25-watt setting with the most compression and saturation and the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTWO CHANNELS ARE BETTER THAN ONE!  \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eNew to the AT+ is an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Diamond shape knob layout; single foot switch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = “AT+” U-shaped knob layout; two foot switches; limited edition AT+ pedals also come in a black colorway.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 15MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE AT+ CAN BE SAFELY RUN ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYOU CAN SAFELY RUN THE ORIGINAL (V1) “AT“ ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330889515,"sku":null,"price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-AT_Red.png?v=1698175844"},{"product_id":"561","title":"JHS Morning Glory V4","description":"\u003cp\u003eMORNING GLORY\u003cbr\u003e$199.00 USD\u003cbr\u003e1\u003c\/p\u003e\n\u003cp\u003eBuy with\u003cbr\u003eOVERDRIVE\u003cbr\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.\u003c\/p\u003e\n\u003cp\u003eTRULY TRANSPARENT TONE\u003cbr\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.\u003c\/p\u003e\n\u003cp\u003e- Gain control sweeps from completely clean to rock‘n’roll\u003c\/p\u003e\n\u003cp\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003c\/p\u003e\n\u003cp\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003cp\u003eON-THE-FLY VERSATILITY\u003cbr\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp\u003e- Switch to a more powerful sound with enhanced low end and grit\u003c\/p\u003e\n\u003cp\u003e- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe\u003c\/p\u003e\n\u003cp\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003cp\u003eVERSION HISTORY:\u003cbr\u003eV1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003c\/p\u003e\n\u003cp\u003eV2 = Changed to smaller current enclosure; gold powder coat color.\u003c\/p\u003e\n\u003cp\u003eV3 = Bright-cut toggle added.\u003c\/p\u003e\n\u003cp\u003eV4 = Two times more headroom; Gain Toggle added; Red Remote system added.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330955051,"sku":null,"price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Morning_Glory.png?v=1698175827"},{"product_id":"562","title":"JHS LOF Supreme","description":"\u003ch4\u003e\u003cstrong\u003e1972 UNIVOX SUPER-FUZZ REPLICA\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the late 1960’s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. This circuit found its way into the lineup of brands all over the world. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThanks to product placement by Pete Townshend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Red and blue, black and grey, white and black, you could pick your color. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume\/boost. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you want to replicate the classic octave fuzz sounds of Pete Townshend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it. \u003c\/p\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5.68 X 3.62 X 2.0 INCHES, 0.85 LBS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE SUPREME DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772330987819,"sku":null,"price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/image-asset_6e0132fb-a873-47cd-9c09-63d39650e3ed.png?v=1698175917"},{"product_id":"563","title":"JHS Pulp n Peel V4","description":"\u003ch2\u003e\n\u003cstrong\u003eCOMPRESSOR \/ PREAMP \/ DI BOX \u003c\/strong\u003e \u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼”, balanced XLR outputs have you covered. This compressor\/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp ‘N’ Peel V4 is your go-to solution.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTHE EXACT COMPRESSION YOU’VE BEEN WAITING FOR\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eWe know how much effort you put into getting your tone exactly right. That’s why we worked so hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Improved detection circuit for smoother tones with added sustain\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Active EQ control that cuts or boosts high end\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Parallel Blend control balances your compressed and uncompressed signals\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eWARM STUDIO-STYLE GRIT TO HELP YOU CUT THROUGH\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Dirt voiced to go from warm tone enhancement to gritty tonal foundation\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Low-profile gain control is safely located on the side of the pedal\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Works especially great on bass\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Increased output works as a fantastic full-frequency boost\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eONSTAGE, IN THE STUDIO, OR ANYWHERE ELSE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eNo matter what electric instrument you play, we’ve outfitted the Pulp ‘N’ Peel compressor\/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Standard ¼” instrument input and output\u003c\/p\u003e\n\u003cp class=\"\"\u003e- XLR\/DI balanced output for going direct to the board or interface (try it on acoustic and bass!)\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Ground-lift switch to eliminate hum and buzz (if dealing with unwanted ground loops when interfacing with other equipment)\u003c\/p\u003e\n\u003cp class=\"\"\u003e- High-quality “always-on” buffer\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Only two knobs; no logo; extremely rare.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Three controls; softer orange color; older orange slice logo.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV3 = Three controls; includes LBB via internal dip switch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV4 = Four controls; added EQ knob, Dirt Toggle, and XLR output.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV4.5 = Buffer switch removed; buffered bypass switching added.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 32MA, AND MEASURES 2.6\"X4.8\"X1.5\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772331020587,"sku":null,"price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Pulp_n_Peel.png?v=1698176046"},{"product_id":"564","title":"JHS Emperor V2","description":"\u003ch2\u003e\u003cstrong\u003eCHORUS \/ VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eIn 2014 we brought you the Emperor V1, a 100% Analog Chorus\/Vibrato with Tap Tempo. Now in 2018 we are proud to bring you the Emperor V2!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere are two ways to look at the JHS Pedals Emperor Analog Chorus\/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSO MUCH MODULATION\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eWe call the Emperor an analog chorus\/vibrato. That’s just because calling it a true analog chorus\/pitch vibrato with tap tempo\/waveform selection\/rotary speaker simulation\/true stereo output\/and more pedal would have been a pain to write every time.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- The glorious tones of a real-deal, 3207 chipset bucket brigade topology\u003cbr\u003e- Mini toggle switch selects between chorus and vibrato effects\u003cbr\u003e- Three available waveform types (sine, square, and triangle)\u003cbr\u003e- Intuitive controls for Volume, EQ, Speed, and Depth\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eUPDATED TONE SHAPING CAPABILITIES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. We've replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus\/vibrato pedals.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eIN-DEPTH TEMPO CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Control the rate with the onboard Speed knob or tap tempo footswitch\u003cbr\u003e- Tap\/Exp mini switch on the left side of the pedal controls the side-mounted Tap\/Exp TRS jack\u003cbr\u003e- Use an external source to control the rate in the Tap Out setting (works great with our Panther Cub Delay and Unicorn pedals).\u003cbr\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eA FEW EXTRAS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eYou knew we would throw in a few extra features for you, didn’t you? Of course we did. When designing the Emperor, we conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Plugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the Emperor\u003cbr\u003e- Internal switch changes from buffered to true-bypass operation**\u003cbr\u003e- High-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 57 MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772331053355,"sku":null,"price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Emperor.png?v=1698175971"},{"product_id":"834","title":"JHS 3 Series Chorus","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772343177515,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3-Series-Chorus-front.png?v=1698175292"},{"product_id":"835","title":"JHS 3 Series Overdrive","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772343701803,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3-Series-Overdrive-front.png?v=1698175696"},{"product_id":"642","title":"JHS Tidewater Mini Tremolo","description":"\u003ch2\u003e\u003cstrong\u003eTREMOLO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eHave you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht. The Tidewater tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater tremolo.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume, Mix and Speed. The Volume allows you to set the overall volume at unity, below unity, or above unity for a boosted tone. With the Mix turned all the way down you can use the Tidewater as a warm preamp boost. The Mix knob controls the depth of the tremolo while the Speed knob controls how fast the tremolo moves, indicated by the LED next to the Speed knob. Inside the pedal on the back of the PCB there are three small dip-switches. When all three switches are in the down position, the range of speed available is faster. When all three switches are in the up position, the available range of speed is slower.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhen you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater tremolo is your vessel of choice.\u003c\/p\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 3 MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772356972843,"sku":null,"price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Tidewater.png?v=1698176004"},{"product_id":"643","title":"JHS Unicorn UniVibe Pedal","description":"\u003ch2\u003e\u003cstrong\u003eUNI-VIBE* \/ VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eIn 2015 we brought you the Unicorn V1, the world's first bulb-driven photocell modulator with tap tempo, the JHS Uni-Vibe. As of Spring 2018, we are proud to bring you the Unicorn V2!\u003c\/p\u003e\n\u003cp class=\"\"\u003ePink Floyd’s “Breathe,” Jimi Hendrix’s live Woodstock performance of “The Star-Spangled Banner,” and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation\/phasing\/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSOUNDS AS GOOD AS YOU REMEMBER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Sounds like the original because it’s built like the original\u003c\/p\u003e\n\u003cp class=\"\"\u003e- All-analog signal path delivers a warm, touch-sensitive tone\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Dry\/Wet toggle selects between a Uni-Vibe* and vibrato effect\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eIN-DEPTH TEMPO CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThere are other analog vibe pedals and there are pedals with tap-tempo control, but-- if you’ll indulge us in a brief humble brag --the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions (or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn) and you have one of the most versatile vibe pedals on the market.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Want quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knob\u003c\/p\u003e\n\u003cp class=\"\"\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eEXTERNAL TEMPO AND EXPRESSION CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Internal Tap\/Expression mini switch controls the side-mounted Tap\/Exp TRS jack\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Expression pedal control of the Unicorn’s rate in the Exp setting\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Use an external source to control the rate in the Tap Out setting (which coincidentally works great with our Panther Cub Delay and Emperor Chorus pedals)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCOULDN’T BE EASIER TO USE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers…but only if you dare.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Left two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Larger enclosure.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Smaller enclosure.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2” X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772357988651,"sku":null,"price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-unicorn.png?v=1698175954"},{"product_id":"644","title":"JHS Kodiak Tremolo","description":"\u003ch2\u003e\u003cstrong\u003eTREMOLO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe JHS Pedals Kodiak tremolo is the newest addition to our tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation.  Let’s take a look at all the features this brown beast bears... \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONTROLS \u0026amp; FEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control enables you to set the overall volume however you like it, either dialed back, at unity, or boosted.  A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the on-board tap-tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. The Ratio control gives you the ability to dial in faster speeds that are perfectly sync'd with the BPM of your tap.  You can choose from quarter notes, eighth notes, \"triplets,\" or sixteenth notes.  The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square, and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time-signatures for different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTAP \/ EXPRESSION JACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Kodiak also features a Tap\/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak.\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 10MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772359168299,"sku":null,"price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Kodiak.png?v=1698175986"},{"product_id":"645","title":"JHS Pack Rat","description":"\u003cp\u003eIn 1978, one of the most versatile distortion pedals of all time was invented in Kalamazoo–the ProCo RAT. Scott Burnham and Steve Kiraly had the idea after playing, repairing, and modifying all distortion pedals on the market. They wanted something that didn’t exist yet at MXR, DOD, or BOSS, a pedal that could go from overdrive to distortion and all the way to fuzz. By 1979, Scott perfected the circuit in his rat-infested basement workshop. The rest is history.\u003c\/p\u003e\n\u003cp\u003eThe PackRat is the ultimate tribute to 40+ years of RAT evolution and its impact on guitar’s sound. Artists from every genre have used this iconic and unassuming black box to create their tones, including Nirvana, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck, and Radiohead. \u003c\/p\u003e\n\u003cp\u003eThe PackRat uses the same unique digital runway system featured in our other multimode pedals (Muffuletta and Bonsai) to direct the paths of 261 components through 40 individual switches. This means when you choose one of the nine legendary modes, you are playing fully analog circuits that perfectly replicate that mode down to the aging components. If you purchased these nine hard-to-find pedals on the used market right now, you’d pay around\u003cspan\u003e \u003c\/span\u003e\u003cs\u003e$4000\u003c\/s\u003e $6000\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(updated Summer 2024)\u003c\/em\u003e. The PackRat at $249 saves you thousands! \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eUsing the PackRat is straightforward. “Volume” adjusts the overall volume of the pedal. “Distortion” lets you raise and lower the amount of gain or distortion. “Filter” allows you to brighten or darken the sound of the overall effect, acting as a simple low-pass filter. The “Mode” knob is a rotary switch that clicks between each of the nine legendary RAT versions. As you change the mode, the analog circuitry is rewired between different values of resistors, capacitors, diodes, and op-amps. \u003c\/p\u003e\n\u003cp\u003eResearch I obtained over 100 different RAT specimens for study and interviewed former ProCo employees about the design, evolution, and production of the RAT. Many of the widely accepted “facts” about the differences in versions or sounds, including some of my own beliefs, were misinformed at best. Often, they’re wrong. Reliable sites had inaccurate timelines with incorrect pictures of the respective models. Even ProCo’s own history was missing tons of details about changes made to the RAT over the past 40 years. \u003c\/p\u003e\n\u003cp\u003eTo find the facts and properly understand this circuit, we obtained and studied every RAT model ever made (including some prototypes) in great detail. We analyzed them using state-of-the-art audio precision equipment, measured components, built comparison charts, traced each circuit, and closely examined the branding, logos, and other changes as precisely as possible. \u003c\/p\u003e\n\u003cp\u003eVintage units are typically dated by reading manufacturer codes on potentiometers and knobs. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and many pedals were made with parts that were at least two or three years older than the production date. This means you’ll see v1s, v2s, and v3s with overlapping dates. Combine this with decades of people “remembering” what RAT model sounds the best, and you’re in a historically inaccurate hot mess. \u003c\/p\u003e\n\u003cp\u003eTo properly build an accurate timeline and database of changes, I dated components when possible, interviewed people involved in the eras of production, referenced over 1,000 online sales photographs, and studied the prototypes and evolution of engineer design ideas. I did everything possible to build an airtight case for my work and not rely on any prior timelines. The results may not be perfect, but they’re pretty close. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eThe PackRat Modes \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e1. The OG v1 (79-83)\u003c\/p\u003e\n\u003cp\u003eThe OG is a perfect recreation of the first line of RATs ever made. Early v1s are also known as the Fringe Logo and can be identified by the word RAT having a slight fringe graphic on the typeface. The v1 also has small silver capped knobs and a Tone knob instead of the more familiar Filter label. From a circuitry standpoint, the v1 and v2 Big Box models are practically identical except that the v1 Tone control increases treble as you turn clockwise while the v2 Filter control decreases treble. In the OG mode, you are playing the exact circuitry of my 1979 v1 Fringe model, including accurate Tone control rotation and taper. You should know the v1 and v2 are the same circuit. Simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit. I know super nerds will ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a v1 because it is nearly identical, other than having an input buffer and a few extra parts. \u003c\/p\u003e\n\u003cp\u003e2. White Face v3 (84-86)\u003c\/p\u003e\n\u003cp\u003eIn 1984, the RAT transitioned to a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle–hence the “White Face” nickname. In 1986, this same model had a logo change that inverted the white and black colors, resulting in the more familiar white rectangle outline and font on a black enclosure. This “White Face” model has become a holy grail RAT and even spawned a reissue in the nineties. The irony is that it’s the same exact circuit as the previous Big Box V2, the 1986 “Black Face,” and the 1989 RAT2. The “White Face” V3 update was purely cosmetic due to screen printing errors that needed to be solved. ProCo knew that the world wanted smaller pedals as brands like BOSS, DOD, and Ibanez gained increasing market share. They wisely cashed in on the trend. Why would I put this particular version in my PackRat if it’s not different from the OG? For one, nostalgia is a powerful thing. Second, this mode switches to the reverse orientation Filter control with an entirely different feel and experience. It also widens the sweet spot for the most beloved RAT tones. \u003c\/p\u003e\n\u003cp\u003e3. Turbo v5 (89)\u003c\/p\u003e\n\u003cp\u003eThe heart of the RAT tone comes from symmetrical hard clipping. A simple amplifier circuit amplifies the signal and pushes it across a pair of clipping diodes. These diodes clip off the top of the waveform and create square wave distortion. Every RAT until 1989 utilized silicon diodes, like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs. This technique was a first in pedals and offered a completely new RAT experience. The silicon diodes in previous versions have a lower forward voltage, leading to a faster and more extreme clipping of the waveform. This type of diode creates a very saturated tone. LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the clipping point, creating more touch sensitivity. It is also worth noting this model was the first RAT to offer the sloped enclosure we see today. \u003c\/p\u003e\n\u003cp\u003e4. BRAT v6 (97)\u003c\/p\u003e\n\u003cp\u003eIn 1997, ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive Roadkill. So far, these identical circuits with different but very 90s grunge aesthetics have the most changes in the evolution. This design added an input buffer circuit and soft clipping (inside the op-amp) on top of the hard clipping of previous RATs. We also see a return to the opposite taper\/rotation Filter control and several capacitor value changes that alter frequency response and distortion characteristics. \u003c\/p\u003e\n\u003cp\u003e5. Dirty v7 (04)\u003c\/p\u003e\n\u003cp\u003eIn 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology–“Clean RAT” and “Dirty RAT.” Due to the popularity of the “Dirty RAT” mode, they released it as a single pedal called You Dirty RAT. This circuit utilizes germanium diodes in the symmetrical hard clipping section. This gives the most saturation and waveform clip-off of any version to date. In addition to the diode changes, this model had several different capacitor value changes, which led to a different distortion character and feel. \u003c\/p\u003e\n\u003cp\u003e6. LA (86)\u003c\/p\u003e\n\u003cp\u003eIn 1986, Ibanez released the 10 Series, which included three RAT style pedals. The Super Product and Fat Cat were traditional RAT-style pedals, while the quirkier LA Metal was, in my opinion, one of the best modified RAT circuits of the eighties. It includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes. The distortion is produced by overloading or “clipping the rails” of the op-amp. You may not play LA metal, but I promise you’ll love this mode! \u003c\/p\u003e\n\u003cp\u003e7. Landgraff MO’D (99)\u003c\/p\u003e\n\u003cp\u003eBetween 1999 and 2000, John Landgraff started building pedals by hand in Pensacola, each with a unique swirl paint job and soldered point-to-point. John’s pedals gained a reputation for sounding amazing and remain the true definition of boutique. Of all his releases, my favorite was a distortion pedal called the “MO’D,” a distant cousin of the RAT and a fantastic pedal in its own right. \u003c\/p\u003e\n\u003cp\u003e8. Caroline (10) \u003c\/p\u003e\n\u003cp\u003eA few years after starting JHS, I purchased a fascinating distortion pedal from a brand new company in South Carolina. I remember jumping on the phone and geeking out with the designer and head of the company, Philippe Herndon. We talked about the circuit, his love for RATs, and his clever take on the circuit. That pedal was called the Wave Cannon, and when I started the PackRat project, Philippe was obviously the friend I needed to bring along for the ride.\u003c\/p\u003e\n\u003cp\u003e9. JHS Mode \u003c\/p\u003e\n\u003cp\u003eIn 2003, I managed a tiny guitar shop in Northwest Alabama. One day, a man walked in wanting to sell a vintage Small Box RAT. When the shop’s owner said he wasn’t interested, I said I was and bought that RAT for $15. This event led me down the pedal-collecting rabbit hole. That pedal stayed on my board for a decade. When I started modifying and building pedals in 2007, I opened it up and modded it to give a different kind of sound. That modification led to the now discontinued JHS All American and the JHS “PackRat” mod we performed on thousands of RAT pedals from 2008-2018. The JHS Mode lets me keep what makes the RAT unique and add in a few of my favorite mods.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772359201067,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/image-asset_9777decc-b525-4c62-927f-dc2777171e3c.png?v=1698175881"},{"product_id":"646","title":"JHS CheeseBall Fuzz","description":"\u003ch2\u003e\u003cstrong\u003eDISTORTION \/ FUZZ\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eLong ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections.  In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz\/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Cheese Ball is our homage to one of the most excellent fuzz\/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772359233835,"sku":null,"price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Cheese_Ball.png?v=1698175935"},{"product_id":"647","title":"JHS Bonsai","description":"\u003cp\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003cp\u003eThe Bonsai Modes\u003cbr\u003eOD-1 - 1977\u003c\/p\u003e\n\u003cp\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp\u003eTS-808 - 1979\u003c\/p\u003e\n\u003cp\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp\u003eTS-9 - 1982\u003c\/p\u003e\n\u003cp\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp\u003eMSL, POWER OR L SERIES - 1985\u003c\/p\u003e\n\u003cp\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp\u003eTS-10 - 1986\u003c\/p\u003e\n\u003cp\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp\u003eEXAR OD-1 1989\u003c\/p\u003e\n\u003cp\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp\u003eTS-7 (+MODE) - 1999\u003c\/p\u003e\n\u003cp\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp\u003eKEELEY MOD PLUS - 2002\u003c\/p\u003e\n\u003cp\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp\u003eJHS STRONG MOD - 2008\u003c\/p\u003e\n\u003cp\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003cp\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/p\u003e\n\u003cp\u003eTHE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772359266603,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/jhs-pedals-Bonsai.png?v=1698175791"},{"product_id":"804","title":"JHS 3 Series Delay","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772366836011,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3-Series-Delay-front.png?v=1698175385"},{"product_id":"805","title":"JHS 3 Series Screamer","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772366901547,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-3_Series-Screamer-Front.jpg?v=1698175742"},{"product_id":"806","title":"JHS 3 Series Phaser","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772366934315,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/image-asset_2521f9fb-dec2-4b80-9ccc-1db9305d2b7e.jpg?v=1698175711"},{"product_id":"900","title":"JHS LOF Smiley","description":"\u003ch4\u003e\u003cstrong\u003eINSPIRED BY FIRST-ERA SILICON MODEL ARBITER FUZZES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 1966, a salesman named Ivor Arbiter saw the rising British rock scene demanding the effect of fuzz. He decided that his company Arbiter Electronics* needed to join the other London guitar product companies and release his own take on this trending sound. After seeing the circular base of a mic stand, he came up with the idea to put the effect in a similar round enclosure and give it a face: two eyes made of knobs, a foot switch nose, and a brand label mouth. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThus, the Fuzz Face* was born. That same year an American guitarist named Jimi Hendrix arrived in London and adopted Ivor’s design as his weapon of choice, and the rest is history. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe first few years of the Fuzz Face* were manufactured using germanium transistors but by 1969, germanium fully gave way to silicon devices and Arbiter never looked back. Hendrix himself preferred the silicon versions over germanium because of their sound, aggressive bite, and their stability in environments where germanium proved inconsistent. The JHS Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units from my collection were considered and analyzed so that we could be sure to perfectly capture the magic that I love in this era. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face* is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”. This mode sends the Smiley into high gain \/ gated fuzz territory that you may never want to come back from. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5.68 X 3.62 X 2.0 INCHES, 0.85 LBS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE SMILEY DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46772369424683,"sku":null,"price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/image-asset_3a89a687-ba85-408d-98ef-2e9b08007e3b.png?v=1698175898"},{"product_id":"jhs-424-gain-stage","title":"JHS 424 Gain Stage","description":"\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-olk-copy-source=\"MessageBody\" data-ogsc=\"rgb(0, 0, 0)\"\u003e424 GAIN STAGE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe 424 Gain Stage gives all the elastic, lo-fi tone inspired by a guitar being plugged straight into a vintage 424 multi-track recorder.  With the 424 Gain Stage pedal, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eMulti-track recorders were made famous in the ‘80s and ‘90s, and gave musicians and songwriters the ability to bring our songs to life from the comfort of our cluttered bedrooms. These devices meant for home studios eventually found their way onto hit records like Springsteen’s Nebraska, the Wu-Tang Clan’s Enter the Wu-Tang, and Spoon’s Gimme Fiction. Many of the vocal parts and fuzzy guitar tracks on Gimme Fiction – a huge inspiration for the creation of the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca data-ogsc=\"\" title=\"Protected by Outlook: https:\/\/jhspedals.info\/_t\/c\/v3\/AAD80hsq8PPjba00rlkJmp155Z7nGR96keaBeu3jJvVHAQcJEeCl2WZH6HT0tP72iQNKg8Ot8FOnRLo39bJQSlc_-kwYRT0O5hkJwGtsbgB3kSu7LTvpKLPcb8hrcw86YE1tSCRmPzZvi-koFaN1EljapmPk3VRVPD-gcfDqzzvTuHpQJyHTNhgZIst7QqMQjHjbkIlBAbsP4qiUpjWUn7xWCBFzjhTX9aF6ASGrenLJU8G7jJhLs3gxZjb3FNSSD43YKEgTQ8eSePhM6L12xa7KE1KKOfknfqKngGw4Ayq5DMCaOdlWFZpKNzZRlNYknY16Y2I0_xLu59mF0M3YwXi3obrtsBJk2Pzxqkhgo1MGsC0nlJM_yTfzYhp2SR4Q2cZoWVpNSK_kCExP-orKthY8iDJAETuuWEhN6562o9A8nXGMp1Y7viHbmEu5VREBUarSInrigPIhrDI1KI0y7D6PwGdxSuRM7csdy2rpycAe9Qr9jlPJ__ksSf8QVumap15Mk0L3. Click or tap to follow the link.\" data-linkindex=\"2\" href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fjhspedals.info%2F_t%2Fc%2Fv3%2FAAD80hsq8PPjba00rlkJmp155Z7nGR96keaBeu3jJvVHAQcJEeCl2WZH6HT0tP72iQNKg8Ot8FOnRLo39bJQSlc_-kwYRT0O5hkJwGtsbgB3kSu7LTvpKLPcb8hrcw86YE1tSCRmPzZvi-koFaN1EljapmPk3VRVPD-gcfDqzzvTuHpQJyHTNhgZIst7QqMQjHjbkIlBAbsP4qiUpjWUn7xWCBFzjhTX9aF6ASGrenLJU8G7jJhLs3gxZjb3FNSSD43YKEgTQ8eSePhM6L12xa7KE1KKOfknfqKngGw4Ayq5DMCaOdlWFZpKNzZRlNYknY16Y2I0_xLu59mF0M3YwXi3obrtsBJk2Pzxqkhgo1MGsC0nlJM_yTfzYhp2SR4Q2cZoWVpNSK_kCExP-orKthY8iDJAETuuWEhN6562o9A8nXGMp1Y7viHbmEu5VREBUarSInrigPIhrDI1KI0y7D6PwGdxSuRM7csdy2rpycAe9Qr9jlPJ__ksSf8QVumap15Mk0L3\u0026amp;data=05%7C02%7C%7C0afa43467e2b4b6e9d9508de05e2add1%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638954668301597619%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C\u0026amp;sdata=vmmcwJmsE5jH%2BZn%2B28buPHcESlaOTvruuC2sxpInIpU%3D\u0026amp;reserved=0\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" target=\"_blank\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(17, 85, 204)\"\u003eColour Box\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e– were actually recorded on a vintage multi-track unit. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eIn this historically accurate recreation,\u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003ewe perfectly replicated the original 424 MKI circuit using the original UPC4570 and NJM4565 op-amps and all the original controls\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e, which is crucial for recreating the unique character that makes the old units sound so great.  The 424 MK1’s gain controls–trim, channel volume, \u0026amp; master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings.In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe 424 Gain Stage as a DI\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eGoing DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424 without the hassle of dragging around your beloved multi-track recorder. Leave it on your recording desk for easy access. If you want to get fancy, you can toss an\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca data-ogsc=\"\" title=\"Protected by Outlook: https:\/\/jhspedals.info\/_t\/c\/v3\/AACkbBUjw8ziAGQx1hxFVNLcp7464cyQnKjVlFETDQZGa85J8h7TyTZh77QxywQBNtATOdoEk9VaA8su9YyDviC6yU2h_-BSBBPqOWc2M9y5VKzJ2fTQ9ATDsH-86eRt1f3sxYPWCGWMMP9WNSlx1teQIdjX9-Y0Atp3-aHfDkyFUx1dPmBAv4_1cVtCdoWUPVM94ypCNDAspYK7ya0tdOiaYl0yta_dYs0O9WuaNOELUHOA4zmW2JH1DlK_u5A4Q_yhinWGMi5kraMXRCdiejuOKRl9hQFimRBLRx6woFUIQHqX2SxjIxXIOLmM0itIAv3ew_xJsbm3km_RGAFFaQwYWrmSBPexlrQBVCh62IdRPKOgownBBFdFnhG9kS2zcsA92nqeepjYHm1Qc4BR2BOjqZWReURJUcYlR9nQ_gdHYw3-0NUZxrgxwOFKXlkxgfGnekC9H0iQROZmnDySQUShwx15ZdR4cBNapA==. Click or tap to follow the link.\" data-linkindex=\"3\" href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fjhspedals.info%2F_t%2Fc%2Fv3%2FAACkbBUjw8ziAGQx1hxFVNLcp7464cyQnKjVlFETDQZGa85J8h7TyTZh77QxywQBNtATOdoEk9VaA8su9YyDviC6yU2h_-BSBBPqOWc2M9y5VKzJ2fTQ9ATDsH-86eRt1f3sxYPWCGWMMP9WNSlx1teQIdjX9-Y0Atp3-aHfDkyFUx1dPmBAv4_1cVtCdoWUPVM94ypCNDAspYK7ya0tdOiaYl0yta_dYs0O9WuaNOELUHOA4zmW2JH1DlK_u5A4Q_yhinWGMi5kraMXRCdiejuOKRl9hQFimRBLRx6woFUIQHqX2SxjIxXIOLmM0itIAv3ew_xJsbm3km_RGAFFaQwYWrmSBPexlrQBVCh62IdRPKOgownBBFdFnhG9kS2zcsA92nqeepjYHm1Qc4BR2BOjqZWReURJUcYlR9nQ_gdHYw3-0NUZxrgxwOFKXlkxgfGnekC9H0iQROZmnDySQUShwx15ZdR4cBNapA%3D%3D\u0026amp;data=05%7C02%7C%7C0afa43467e2b4b6e9d9508de05e2add1%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638954668301615262%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C\u0026amp;sdata=1VXBF%2FWaIUPr2URMtklPUVD%2FVr%2Ft8pMOsi2wCwjzHTM%3D\u0026amp;reserved=0\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" target=\"_blank\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(17, 85, 204)\"\u003eActive A\/B\/Y\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003eswitcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe 424 Gain Stage with an Amp\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003ePlugging a multi-track recorder into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eVOLUME\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e(Corresponds to 424 Master)\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e- Controls the output volume. Left is less, right is more.  On the 424 MKI, this is the MASTER fader. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eGAIN 1 (TRIM)\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e- Sets how much preamplification will be added to the input signal.  On the 424 MKI, this is the TRIM control.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eGAIN 2 (CHANNEL)\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e- Sets the volume level of the second gain stage. On the 424 MKI, this is the CHANNEL fader.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eBASS\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e- Cuts or boosts bass frequencies. Left is less, right is more. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eTREBLE\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e- Cuts or boosts the treble frequencies. Left is less, right is more.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eINPUT\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003e- Top ¼” right jack.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eOUTPUT\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e- Top ¼” left jack.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eXLR OUTPUT\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003e- XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4” output and XLR output can be used simultaneously.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eGROUND LIFT\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003e- Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003ePOWER\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cspan\u003e \u003c\/span\u003e- Requires 9VDC center negative power and consumes 50mA. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe 424 Gain Stage is silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 50MA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":51125449589035,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/2BD63775-04D9-43AA-96AF-16FDCF21BE7C.jpg?v=1765562749"},{"product_id":"jhs-coyote","title":"JHS Coyote","description":"\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE FUZZ YOU DON'T HAVE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA new breed of octave fuzz based on a lost circuit that belongs to no known lineage. Three effects all contained across one knob. A tribute to an unknown pioneer who deserved to be famous.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAn octave fuzz topology that has never been replicated for production — until now\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOne knob sweeps through three distinct effects: swell, fuzz, and octave\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eExceptional touch sensitivity and volume-knob cleanup — rare for any fuzz, unheard of in an octave fuzz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEvery octave fuzz you've ever played traces back to just a handful of circuits: the Octavia, the Super Fuzz, and the Tone Machine. The Coyote doesn't originate from any of these classic topologies. The Coyote is a complete replication of the obscure and very difficult to find Moonrock Fuzz by G.S. Wyllie, a reclusive North Carolina builder who sandcast his own enclosures, etched his own boards, and designed a unique fuzz utilizing a transformer in an unconventional way that sounds like nothing else — the product of wild experimentation combined with solid electrical engineering fundamentals. Here's what makes it strange: the circuit has a transformer, but it's not doing what transformers do in other octave fuzzes. It's not creating the octave at all. Glenn put it somewhere else entirely, where it acts more like an inductive element, shaping how the fuzz stage responds and contributing to the swell, fuzz, and octave character of the control. We've never seen anyone do this. The result is a texture and feel that doesn't exist anywhere else. He never mass-produced them. He passed away in 2014, still building. This is our tribute to Glenn and the wily circuit he left behind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eONE KNOB. THREE WORLDS.\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Swell \/ Fuzz \/ Octave control is the heart of this pedal. It sweeps continuously through three distinct zones — each one a different effect.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSwell\u003c\/span\u003e\u003cspan\u003e — At its lowest setting, notes bloom in with a gated, reversed-tape quality. A slow, breathing attack that rises up from silence. The final stage of the circuit is allowed to turn on gradually, easing the signal in and creating a natural bloom that responds to your picking dynamics. We've only ever seen one other pedal attempt this — a thousand-dollar vintage piece with a dedicated footswitch for it. Glenn built it into a portion of the controls sweep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFuzz\u003c\/span\u003e\u003cspan\u003e — At noon, a fully realized fuzz tone. Not a Fuzz Face. Not a Big Muff. The texture sits in Tone Bender territory — rich low end, aggressive mids, the kind of fuzz that handles chords. Shoegaze. Psychedelic rock. Full and powerful. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOctave\u003c\/span\u003e\u003cspan\u003e — Fully clockwise, the circuit shifts into aggressive octave-up territory. Intentionally uneven clipping emphasizes even-order harmonics, especially the second harmonic, pushing it above the fundamental to produce that snarling octave-up sound. This is pure Hendrix territory — and Glenn, who met Jimi several times in Greenwich Village, was always pointing here. He landed on it perfectly, his own way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe transitions between zones are continuous. Explore everything in between.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT SURPRISED US\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRoll back your guitar's volume knob and this pedal transforms. At lower settings on the Swell \/ Fuzz \/ Octave control, the Coyote becomes remarkably touch-sensitive — light picking gives you warm, controlled fuzz while digging in triggers the swell. It cleans up better than any octave fuzz we've ever played. That kind of dynamic response is almost unheard of in this category.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePut it first in your chain. Play it into another overdrive or an overdriven amp — that's how almost every iconic octave fuzz tone was created. Clean amps work, but the sound in your head usually has some overdrive after the fuzz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNeck pickup, above the twelfth fret — that's where the octave effect is most pronounced. Humbuckers push the swell and octave harder. Single coils give more clarity. Both sound great.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis pedal isn't for everyone, and we're good with that. If you love Hendrix, Jack White, Gary Clark Jr., Beck, Black Keys, or the octave fuzz on John Mayer's \"Belief\" — you already know you want this. If you're a doom player, a riff rocker, a blues explorer. If you've tried every fuzz on the market and you're still looking for the one you haven't played — you're the Coyote. You're the fuzz scavenger. We found something for you.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eTHE BUILDER\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGlenn S. Wyllie grew up in New Jersey, learned to read schematics from his electrical-engineer father by age twelve, and built his first fuzz pedal at seventeen after hearing \"Satisfaction.\" He met Jimi Hendrix several times in Greenwich Village during that era — and never stopped chasing that sound.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe settled in the Appalachian foothills of North Carolina — woodstove heat, a dog named Simon, a Hendrix poster on the door, and metal guitar shapes hanging from the trees in his driveway. He worked at a local music store, played guitar in a band called Muletrain, and built pedals one at a time for anyone who found him.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work ended up on recordings and stages with Paul Simon, Bruce Springsteen, Stevie Wonder, David Byrne, Joan Baez, and dozens more — played by NYC guitarist Mark Stewart, who called Glenn an \"unacknowledged American master.\" Glenn should be talked about alongside Mike Fuller, Paul Cochrane, AnalogMan Mike, Zachary Vex, and Dave Barber — the pioneers of boutique. But nobody knows his name.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe couldn't find his family to tell them about this project. We tried. He's as elusive in death as he was in life. A true coyote.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVolume\u003c\/span\u003e\u003cspan\u003e — Controls the output volume. Left is less, right is more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSwell \/ Fuzz \/ Octave\u003c\/span\u003e\u003cspan\u003e — Sweeps through three distinct zones. Fully counterclockwise: gated swell with blooming, reversed-tape character. Noon: full, rich fuzz. Fully clockwise: aggressive octave-up with snarling harmonics.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":53157945245995,"sku":null,"price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/JHS-Pedals-Coyote_Front_1100x_517361f6-d505-446f-a072-24d004768afd.webp?v=1775496671"},{"product_id":"jhs-double-dragon","title":"JHS Double Dragon","description":"\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eIn a world of perfect digital octaves, we looked backward. \u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Double Dragon Lo-Fi Octave Device is built on shoulders of 40-50 year old analog octave divider technology — the same technology that gave us the MXR Blue Box, DOD Octoplus, the Boss OC-2, Ibanez OT10, Electro Harmonix Micro-Synth, and other circuits that synth designers helped inspire. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePre-DSP. Pre-precision. All analog warmth. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlay single notes and you have a riff machine. \u003c\/span\u003e\u003cspan\u003ePlay a chord and the circuit starts to stutter, jump, and fight itself, making something new.\u003c\/span\u003e\u003cspan\u003e It's not trying to replicate you perfectly — it's trying to play along with you. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt's alive!\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eTHE SOUND \u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Double Dragon is an all-analog monophonic octave-down and up effect. The lower octave is the foundation — thick, analog, with the characteristic behavior that made vintage octave circuits legendary. The upper octave is pure bonus: an octave-up distortion that lands somewhere between an Octavia and a Superfuzz. Gritty. Usable. With a mid-range sting that cuts through the mix. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTurn on the Double Dragon and you can't help but start playing riffs. Your guitar feels twice the size. You fill out the space that used to need a band. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eA MILESTONE\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn our entire JHS Pedals history, this is our first octave device. We've done octave fuzz but we never landed on a sub octave circuit that felt at home in our brand — until now. Weird, wild, and lo-fi. We're glad we waited to get it right. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eWHO’S IT FOR?\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor riff lovers. For anyone who's ever listened to Led Zeppelin and wanted that synchronized guitar-and-bass weight under their fingers. For fans of The White Stripes, Hendrix, and Rage Against The Machine, Muse, Royal Blood. Also — For bass players who know what a vintage OC-2 can do to your basslines. For creative players who want something more than digital precision and clinical accuracy. For people who want a collaborator, not just a tool.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVOLUME controls the master output level with extra boost available. Turn the octaves off, dry full on, and you have an amazing always-on preamp. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDRY mixes in your clean signal to the octave effects — all the way up is where we suggest you start, all the way down goes fully wet for glitchy vintage synth textures. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOCT− controls the lower sub-octave mix. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOCT+ controls the upper octave and distortion (activated by right footswitch).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLeft footswitch is ON\/OFF. Right footswitch engages OCT+ circuit. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe main effect must be on for OCT+ to function — it's the way it's designed — not a limitation. For octave-up only, engage and turn OCT− down. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003ePAIRS WELL WITH \u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOverdrive after (especially Tube Screamer - mid heavy types). Fuzz after for chaos. Pitch vibrato for a more synth-like texture. The Double Dragon's tracking quirks become even more alive and useful when layered with other effects. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eSPEC­I­FI­CA­TIONS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Top-mount­ed jacks \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 9VDC Cen­ter Neg­a­tive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Silent Buffered Bypass Switching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 75mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":53158023266603,"sku":null,"price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/Double-Dragon_1100x_ad92f996-6163-4080-b97d-7794803194cc.webp?v=1775497836"},{"product_id":"jhs-morning-glory-clean","title":"JHS Morning Glory Clean","description":"\u003ch4 dir=\"ltr\"\u003eWHEN TRANSPARENT OVERDRIVE ISN'T GOOD ENOUGH\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe took our most legendary overdrive to a new level and \u003c\/span\u003e\u003cspan\u003eredefined what it means to be transparent. Clearer pick attack, improved low end, and more versatile gain stacking. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the ultimate first-stage overdrive pedal. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eIT STARTED AT SOUND CHECK. \u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI watched \u003c\/span\u003e\u003ca href=\"https:\/\/www.julianlage.com\/\"\u003e\u003cspan\u003eJu­lian Lage\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e dial in his tone at a sound­check in Chica­go. Vin­ta­ge Fen­der amp. Collings semi-hol­low gui­tar. He ad­just­ed pickup heights, moved po­si­tions on stage, chas­ing the per­fect bal­ance. It was cap­ti­vat­ing. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJu­lian has used a Morn­ing Glo­ry for years — he's a big rea­son it end­ed up on jazz ped­al­boards world­wide. Af­ter the sound­check, we dis­cussed what he looked for in an over­drive. One thing led to an­oth­er. My brain start­ed wan­der­ing off into dif­fer­ent ideas. Could we make the Morning Glory even better? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHE PROBLEM WITH TRANSPARENT.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen you add over­drive — any type of clip­ping — you lose nu­ance. Pick at­tack gets com­pressed. Dy­na­mics nar­row. All overdrives shape frequency response, even the most transparent.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSo we tried some­thing no one's done: we took our Morn­ing Glo­ry (a Blues­breaker-style topol­o­gy) and com­plete­ly re­built it around a stu­dio-grade par­al­lel clean blend. Not just a mod­i­fi­ca­tion, a re­design from the ground up.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn pa­per, it seemed point­less — why blend a clean sig­nal into some­thing al­ready trans­par­ent? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere's why. The Morn­ing Glo­ry's magic happens when you turn up the Drive, the circuit boosts higher harmonics and adds soft com­pres­sion. Jan­g­ly. Per­fect in a mix. The par­al­lel clean cir­cuit lets you keep all that while di­al­ing the nat­ur­al low end back in — all the tone, all the char­ac­ter. Noth­ing com­pro­mised.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHIS ISN'T A CLEAN KNOB SLAPPED ON A MORNING GLORY. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor those won­der­ing — let's talk about what's ac­tu­al­ly hap­pen­ing in­side.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Clean con­trol uses a dual-gang po­ten­tiome­ter. As you turn it, clean gain scales pro­por­tion­al­ly with the drive sig­nal — it’s per­fect­ly en­gi­neered from the ground up. Most clean blends are an af­terthought — a sim­ple mix knob tacked onto an ex­isting cir­cuit. This one was de­signed so the two sig­nals track to­geth­er across all gain settings. No vol­ume jumps. No weird phase is­sues. Just seam­less blend­ing from Morn­ing Glo­ry to pure sig­nal and every­thing in-be­tween. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe pow­er sec­tion runs on a ±9V dual sup­ply — the same topol­o­gy as our V4 — which gives you high­er head­room than the orig­i­nal V1 cir­cuit and any oth­er Bluesbreak­er-style ped­al out there. This is where most clones get it wrong. Think of it as the orig­i­nal Ver­sion 1 Morn­ing Glo­ry voic­ing with the V4 en­gi­neer­ing en­hance­ments. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Tone con­trol af­fects only the over­drive path. Your clean sig­nal stays par­al­lel and un­touched. For the peo­ple who care about this stuff: this is the most thought-out and so­phis­ticat­ed Morn­ing Glo­ry we've ever built. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eENDLESS HEADROOM, ANY VOLUME.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEnd­less head­room. Those mas­sive clean gui­tar sounds that you love on record­ings — most were made at vol­umes that would get you evict­ed. The Morn­ing Glo­ry Clean gives you the stiff­ness and au­thor­i­ty of a high-wattage amp at the edge of breakup — with­out the earplugs. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThink of the Clean con­trol as adding back in wattage, clar­i­ty, and punch.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eIT GOES ON EVERYTHING.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStack a dis­tor­tion in front and the sus­tain opens up in­stead of clos­ing off. Run it af­ter de­lay for new territories of series\/parallel textures. First-stage over­drive? This is the best we've ever built. Pe­riod.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt breathes in front of amp mod­el­ers too. The over­drive and pres­ence of the classic Morn­ing Glo­ry, with your at­tack and low-end con­tent di­aled back in — magic in front of a Kem­per, Quad Cor­tex, UAD, or He­lix. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBass play­ers: the orig­i­nal Morn­ing Glo­ry rolls off low end just like a fi­nal mix. That's why you love it — that's why it's be­come a stan­dard on so many pro bassists' boards. The clean blend di­als that low end back on com­mand for your dif­fer­ent bass and ampli­fi­er needs. This might be the best bass over­drive we've ever made. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWho this isn't for.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis ped­al isn't for every­one and we're con­fi­dent in say­ing that. If you want the dopamine hit of a wild new sound, look else­where. If you want tons of con­trols, tweaka­bil­i­ty, bells and whis­tles — this is not that. This ped­al does less while giv­ing you more. No bad sounds. Im­me­dia­te gra­ti­fi­ca­tion. Leave it on and for­get it's there. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eCON­TROLS \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVol­ume — \u003c\/span\u003e\u003cspan\u003eAdjusts the overall volume in conjunction with the drive and clean. \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean — Full left: orig­i­nal Morn­ing Glo­ry. Full right: pure clean sig­nal. Start with Clean and Drive maxed, dial Clean back (counter clockwise) un­til you find your perfect bal­ance. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrive — Sat­u­ra­tion. Crank it and use the Clean con­trol as your bal­ance. This ped­al is de­signed to be used this way. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTone — Clas­sic Morn­ing Glo­ry tone stack. Af­fects only the drive path. Back for warmth, for­ward for clar­i­ty. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean Boost Pro Tip – Morning Glory Clean can be used as a stand-alone clean boost.  Set the Clean to 100% (fully clockwise) and  increase the Drive.  In this configuration, the Drive will not produce any overdrive clipping - only clean volume boosting. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eSPEC­I­FI­CA­TIONS\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- ±9V Dual Sup­ply (mas­sive head­room) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Top-mount­ed jacks \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 9V DC Cen­ter Neg­a­tive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Silent Buffered Bypass Switching\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":53158173770027,"sku":null,"price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/13260289-9A0C-40CA-BF40-BE32F4BEC9A4.jpg?v=1776700047"},{"product_id":"jhs-3-series-bit-crusher","title":"JHS 3 Series Bit Crusher","description":"\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\" data-olk-copy-source=\"MessageBody\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markceqgpylqn\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markceqgpylqn\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"mark5fnp1f8y7\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eprice\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003epoint.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe 3 Series Bitcrusher was built from scratch to do two things with precision: reduce bit depth and reduce sample rate, with a filter to shape the result. The Crush knob controls bit depth, moving from full 24-bit resolution counterclockwise down to 1-bit clockwise,from unprocessed through grainy and textured, into square-wave aggression and gated digital distortion. The Sample Rate knob works counterclockwise from a clean 32.768 kHz down to 2.5 Hz, introducing aliasing and artifacts that range from subtle harmonic shifts to metallic, ring-mod-like chaos and full digital collapse. The Filter knob shapes both, fully clockwise is unfiltered. Turn counterclockwise to sweep the corner frequency and increase the filtering. The Type toggle selects the filter character: down is a second-order low-pass with no resonant peak, inspired by vintage synthesizers like Oberheim, full-bodied and well-suited to bass guitar. Toggle up is a high-pass and low-pass swept in succession, focusing a band of strong mid-range frequencies that evokes the small speaker sound of a handheld game console. Under the hood, this pedal applies a zero-hole filter,a theoretical signal processing concept that had never found a practical application until it became part of this circuit.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markceqgpylqn\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePedals 3 Series Bitcrusher runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":53401836880171,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/CF9166D2-7FE3-4FCF-A926-8856A59881CC.jpg?v=1779906612"},{"product_id":"jhs-3-series-ring-modulator","title":"JHS 3 Series Ring Modulator","description":"\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\" data-olk-copy-source=\"MessageBody\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markceqgpylqn\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markceqgpylqn\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"mark5fnp1f8y7\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eprice\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003epoint.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe 3 Series Ring Modulator covers it all, from subtle, invisible modulation to full metallic chaos, with two distinct modes. The Blend knob mixes the ring modulation against your dry signal. The Frequency knob controls the speed of the ring modulator's oscillator, moving from slow, pulsing movement at lower settings to bell-like, metallic tones at higher ones. The Mode toggle selects between two algorithms. Down is Earworm mode, inspired by the now discontinued Way Huge Ringworm. The Tweak knob introduces an auxiliary LFO that adds wobble and movement to the modulation, turning a fixed ring mod into something alive and animated. Up is Green Lantern mode, inspired by the Green Ringer circuit, a wave rectifier that produces a natural-sounding octave effect alongside the ring modulation. In this mode, Tweak blends the octave effect from off to 100%. Used subtly under a solo, it adds a barely-there harmonic presence. Pushed hard with gain in front of it, it becomes something considerably wilder. Ring modulation has been around since the 1970s, and this pedal is our take on giving you everything the effect has to offer in one of  the simplest possible packages. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markceqgpylqn\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePedals 3 Series Ring Modulator runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":53401843859755,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/26143FC9-E5C3-4AA4-94E2-1EBF6A6C2FEA.jpg?v=1779906586"},{"product_id":"jhs-fumble","title":"JHS Fumble","description":"\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cbr data-olk-copy-source=\"MessageBody\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eexists because we made the biggest mistake in\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark0dpognk0j\" data-markjs=\"true\"\u003eJHS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ehistory.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eIn May of 2025, we released the NOTADÜMBLË — our second solderless DIY kit pedal, containing two of the most coveted sounds from the Dumble universe. The overdrive side was correct: a boutique style overdrive built around the lead tone people associate with Larry Carlton, Eric Johnson, and Robben Ford. The clean side, however, was supposed to be a reverse engineered copy of the \"A Box Later,\" a buffered effects loop device that Howard Dumble built sometime in the 1980s outside of his amplifier designs. John Mayer owns one of these obscure units and lent it to us. I replicated it,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca data-ogsc=\"\" title=\"Protected by Outlook: https:\/\/jhspedals.info\/_t\/c\/v3\/AACwYq5Py1UbL4w3Y1idUef57Tuu-jhJIhwGtuJKuOOnsvk4-Q-jhQUrFcA1rFiTTkMlMPXZbTWYRXoT21HE0Y3FoFD-TzfWzfHUz9BaSxo7zAKgv7ukYdDIDJfx_g_EhST01hgedegjrVkpy7v4q-UaQLoKIQTkyWH58jLjiXCEV6P4-LQGr_y1gvvKD3SxY7Ww_sBF7_ilz5USAkr7Lxv3UM6moRhfOR7kb2fPykT4tYlQJ46TNst36g4x1FiPtGgVEutO8KLgfpUW9ubeRCjg3e_lbtUilA12_aOQOSwFQBwZbpjsZ7WGTEi2CO8spUZ2lQ==. Click or tap to follow the link.\" data-linkindex=\"1\" data-auth=\"NotApplicable\" href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fjhspedals.info%2F_t%2Fc%2Fv3%2FAACwYq5Py1UbL4w3Y1idUef57Tuu-jhJIhwGtuJKuOOnsvk4-Q-jhQUrFcA1rFiTTkMlMPXZbTWYRXoT21HE0Y3FoFD-TzfWzfHUz9BaSxo7zAKgv7ukYdDIDJfx_g_EhST01hgedegjrVkpy7v4q-UaQLoKIQTkyWH58jLjiXCEV6P4-LQGr_y1gvvKD3SxY7Ww_sBF7_ilz5USAkr7Lxv3UM6moRhfOR7kb2fPykT4tYlQJ46TNst36g4x1FiPtGgVEutO8KLgfpUW9ubeRCjg3e_lbtUilA12_aOQOSwFQBwZbpjsZ7WGTEi2CO8spUZ2lQ%3D%3D\u0026amp;data=05%7C02%7C%7Ca54e0400c81f41cdaef508deb1e4bf4b%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639143793173570510%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C\u0026amp;sdata=c80W1ZUl4Vxqcs9KZMfFAatz%2Fok0TER2zoSSoY%2FLFUE%3D\u0026amp;reserved=0\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(17, 85, 204)\"\u003enamed it Box It Later\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e, and that replica has traveled the world on John's pedalboards consistently\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca data-ogsc=\"\" title=\"Protected by Outlook: https:\/\/jhspedals.info\/_t\/c\/v3\/AADm2vqGpUD9XkEptkCWTlzAa6-uTXCLX35WfZ3F_tizcaCtETiO_X0W8eAzlzUVzBRLBF4RMfZJIGNothPcxs7L9hWtQ3I21vyQkfW11wsQ6XL3ARjYXgQ_btuueeJN8cIMD8IcyxZf8M6ro6rXvmICculn-KvirStuUYicTrts-Ln8Q0oDGQ9hioYMiiQrdvB5mjMWWJM95QImBbdTei779gEutJVY14SvdvDxRw79XbLuUXdU63rix-fzlczMLa1LtgAOvRncwGi27bkjzCaGzakdnMEGgChbs2GNbe-5RRxN01fjtMGy8OgCvnK5KblABA==. Click or tap to follow the link.\" data-linkindex=\"2\" data-auth=\"NotApplicable\" href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fjhspedals.info%2F_t%2Fc%2Fv3%2FAADm2vqGpUD9XkEptkCWTlzAa6-uTXCLX35WfZ3F_tizcaCtETiO_X0W8eAzlzUVzBRLBF4RMfZJIGNothPcxs7L9hWtQ3I21vyQkfW11wsQ6XL3ARjYXgQ_btuueeJN8cIMD8IcyxZf8M6ro6rXvmICculn-KvirStuUYicTrts-Ln8Q0oDGQ9hioYMiiQrdvB5mjMWWJM95QImBbdTei779gEutJVY14SvdvDxRw79XbLuUXdU63rix-fzlczMLa1LtgAOvRncwGi27bkjzCaGzakdnMEGgChbs2GNbe-5RRxN01fjtMGy8OgCvnK5KblABA%3D%3D\u0026amp;data=05%7C02%7C%7Ca54e0400c81f41cdaef508deb1e4bf4b%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639143793173591202%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C\u0026amp;sdata=fTioLlojeW9Z2f1UJ6OdV2XsLnCwKgwilgKzK4HFIik%3D\u0026amp;reserved=0\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(17, 85, 204)\"\u003esince 2021\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e.  I thought I put that circuit in the NOTADÜMBLË as the clean side.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eI didn't.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eA week after launch, while planning a Short Circuit episode video about the NOTADÜMBLË, I discovered I had used the wrong circuit. The clean side of the NOTADÜMBLË wasn’t the  “A Box Later”– it was something else entirely. Something I had also reverse engineered back in 2019 also for John, and then completely forgotten about. A separate Dumble preamp box that lived in a different archive location in our R\u0026amp;D storage. I had confused the two similar circuits and made a horrible mistake.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eI made a\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca data-ogsc=\"\" title=\"Protected by Outlook: https:\/\/jhspedals.info\/_t\/c\/v3\/AADkVbdvWnZgT1ajV2moMEohPORLWlvk1RNZ0SdZZA_LhSlFZKMQjr-gP-bns53siUN0eFwulkVrLJIgrnOvYANDe2BFjr4yaz5NRhdOsUPXFKpnTCnwnrc5IGhKLMwMpoEWcG7jgbPT8cDQpVxUS6qzE3NAe7nbGwzlrwpV0zOwLPlEQLVNz3br0OSeVa6hoQaHouKz3WC3AzotpMzX29qBjG7ZzcBeAqnyweVljpYV2u9BtR00FYUvDf7A7QXdeAkJdYw9Xk_IFGA4Z8-JQJcVniCKj088eGAX5_huAGlQP5OKPDkNAcs=. Click or tap to follow the link.\" data-linkindex=\"3\" data-auth=\"NotApplicable\" href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fjhspedals.info%2F_t%2Fc%2Fv3%2FAADkVbdvWnZgT1ajV2moMEohPORLWlvk1RNZ0SdZZA_LhSlFZKMQjr-gP-bns53siUN0eFwulkVrLJIgrnOvYANDe2BFjr4yaz5NRhdOsUPXFKpnTCnwnrc5IGhKLMwMpoEWcG7jgbPT8cDQpVxUS6qzE3NAe7nbGwzlrwpV0zOwLPlEQLVNz3br0OSeVa6hoQaHouKz3WC3AzotpMzX29qBjG7ZzcBeAqnyweVljpYV2u9BtR00FYUvDf7A7QXdeAkJdYw9Xk_IFGA4Z8-JQJcVniCKj088eGAX5_huAGlQP5OKPDkNAcs%3D\u0026amp;data=05%7C02%7C%7Ca54e0400c81f41cdaef508deb1e4bf4b%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639143793173610334%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C\u0026amp;sdata=XL1dinC3UxwaQxmbBK6WsAgAkYI78S29f1BqD70oi7c%3D\u0026amp;reserved=0\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(17, 85, 204)\"\u003evideo\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e. I told everyone. We sold through the remaining  inventory, discontinued the NOTADÜMBLË V1 after our batch of 15,000 sold out, and refunded anyone who asked to return their unit.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eEnter the\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cbr\u003eWHAT THE\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFUMBLE\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eACTUALLY IS\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis a faithful production version of the other circuit I cloned for John: the Dumble BBC-1. Once the NOTADÜMBLË V1 was discontinued, customers started telling us how much they loved that circuit and how they wished it was sold separately. The\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis that exact circuit, now in its own compact enclosure with its own self-deprecating name and no kit to build.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eHere is where the story gets stranger than fiction. While digging back through the original Dumble unit's history, we realized the BBC-1 isn't really a Dumble circuit at all. It's a JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s — the kind of small utility box that bridged piezo pickups into electric guitar amps in an era when nobody had a modern acoustic preamp. Howard cloned it. Put it in his own enclosure for a handful of local LA players. He then used the same JFET stage inside his amplifiers and called it the FET mode.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eWhich means the legendary Dumble FET sound — the one inside $200,000 to $400,000 amps — is a clone of a 1970s piezo preamp.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis a clone of that clone of that clone. Three generations deep into one of the strangest chains of events in pedal history.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cbr\u003eWHAT IT DOES\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ehas two knobs, true bypass switching, and creates a particularly enhanced clean tone.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eOUTPUT is your master volume. Turn it up for more volume.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eINPUT is the one that surprises people. It is not a standard gain knob. It attenuates bass and input gain at the front of the circuit simultaneously. Fully right has no cut — consider it a bypass of the control. As you turn the knob to the left, bass and gain are gradually attenuated. Roll it down for a thinner, tighter response. Roll it up for a fuller, louder one. There is almost nothing else on the market that boosts in this way.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eUse the\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003efour ways :\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e1. As a permanent buffer and clean boost at the front of your board. Set the output low, dial the input to taste. It tightens up everything downstream and gives you a sweetener you stop noticing because you never want to turn it off.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e2. To slam the front of your overdrives. This is the secret most players miss. We default to stacking gain after gain after gain. Putting a clean JFET boost like this before a Timmy, a King of Tone, a Klon, or a Morning Glory — that's often the better second stage you've been hunting for but just didn't know it.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e3. To slam the front of a dirty amp. Tweed, Plexi, anything broken up. The\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003emakes it bigger and more articulate. Roll the input back for a tighter, treble forward attack into a cranked amp.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e4. As a solo boost at the end of the chain. Crank the output, set the input where it feels best, hit it for the chorus or the solo. Done.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cbr\u003eWHO THIS IS FOR\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eIf you bought the NOTADÜMBLË V1 and loved the clean section, this is what was actually inside it.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eIf you missed it, this is a beautifully simple JFET clean boost with a control set you won't find anywhere else.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eIf you've ever paid a lot of money for a Dumble style boost from another builder, you should know the genuine article is simple. Uncomplicated. Affordable. It was always a version of an acoustic guitar preamp from the 70's.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cbr\u003eWHO THIS ISN'T FOR\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eThis is not an overdrive or a high gain pedal. If you want the lead tone half of the Dumble equation, you will want the NOTADÜMBLË V2 which updates the V1 with the the proper Box It Later clean section and the overdrive channel – in a single solderless DIY kit with two footswitches, an order toggle, and an added effects loop.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003e\u003cbr\u003eTHE NAME\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eWe've had the \"\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\" name and football helmet icon rolling around internally since April 10, 2012. It was originally going to be a Dumble style overdrive in our catalog, but the Moonshine took its place years ago.  We never seriously revisited the\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003eFumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eproject after then and the icon and rubber hand stamp went into a drawer for fourteen years. When all of this happened in 2025, the name was already there, waiting for the biggest\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markwrngb55ym\" data-markjs=\"true\"\u003efumble\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ewe had ever made as a company. Sometimes the universe hands you the punchline way in advance.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cstrong data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eSPECS\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eTrue bypass JFET clean boost\u003cbr\u003eTwo controls : Input (bass and gain attenuator), Output (master volume)\u003cbr\u003e9V DC center negative, 5mA\u003cbr\u003eAssembled in Kansas City\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"\"\u003e\u003cspan data-ogsc=\"rgb(0, 0, 0)\"\u003eTHIS PEDAL MEASURES 1.96\" X 3.93\" X 1.21\" AND CONSUMES 5mA. DO NOT USE MORE THAN 9VDC CENTER NEGATIVE. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":53618795610411,"sku":null,"price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/files\/705C5603-A709-4A57-AC31-614BACF913CD.jpg?v=1780342726"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/5314\/5899\/collections\/jhs-pedals-Bonsai.png?v=1744684985","url":"https:\/\/www.rustyscoolguitars.com\/collections\/jhs.oembed?page=3","provider":"Rusty's Cool Guitars ","version":"1.0","type":"link"}