Loading...
  • Condition: Brand New Make: Rock N Roll Relics Model: RICHARDS TELE Finish: Mary Kay White Categories: Solid Body Year: 2017 Made In: United States
  • Condition: Brand New Brand: Rock N Roll Relics Model: THUNDERS SC Finish: Red,Wht,Blue,Hot Rod Categories: Solid Body Year: 2018 Made In: United States
  • Condition: Brand New (New) Brand: Palir Model: TITAN UNION JACK Finish: Gloss Categories: Solid Body Year: 2018 Made In: United States
  • Condition: Brand New Make: PALIR Model: 50P CLASSIC BASE Finish: Daphne Blue Categories: Active Electronics Year: 2016 Made In: United States
    • Body: American Red Alder
    • Finish: Custom color Ice Metallic Blue, Light aged
    • Neck: Maple with Indian Rosewood fretboard, C shape, 7.25'' radius, 6230 frets, Matching headstock
    • All nitrocellulose lacquer finish
    • Pickups: Rebel Vintage RV-TRON
    • Electronics: Alpha pot, 3 way toggle switch, Cloth wire
    • Features: Jazz Master bridge, Bigsby B5 tremolo, Chet Atkins arm
  • Palir® Titan Palir® Guitars - Model: Titan "Hawk" w/2 Mini-Humbuckers Neck Logo: Gold Painted Headstock: Same as Body Color Neck Dots - Top & Side: Mother of Pearl Nut Width: 1 5/8" - Vintage Neck Radius (Straight and Compound): 10" Neck Shapes: C Scale Lengths: 25.5" - 22 Frets Fret Size: 6230 - Stainless Steel Neck and Fret Board Woods: Mahogany - w/Rosewood Fret Tuning Keys: Schaller Locking Tuners Standard Body Colors: Candy Apple Red Special Finishes and Tops: Engraved "Day of The Dead" Top Body Woods: Mahogany Neck - Pickup Route P-90 Soapbar Middle - Pickup Route Bridge - Pickup Route Tele Single Coil Body Aging Degree: Medium Body Weather Checking: Strait Lines Across the Body Pickguard Material: Cream Pearloid Pickguard Aging: Burst Edge in Butterscotch Tint Pickup Brand: Lollar Pickups Special Bridge and Trem Options: Tele - Vintage w/6 Saddles Nut Material: TUSQ
  • “GUITAR OF THE YEAR” – Acoustic Magazine, 2016 “The FTC looks and sounds like nothing else out there and on this evidence, you’d be hard pushed to find anything, regardless of price, that looks and sounds better – or even comes close.” – Acoustic Magazine Custom Figured Mahogany FTC Model Voted ‘Guitar of the Year’ by Acoustic Magazine, we’ve been having too much fun customizing this carved back, flat top FTC model since it was brought back to the catalog in 2016. This particular build was customized with Figured Mahogany back/sides, Torrefied Adirondack top, cowboy rope rosette and top purfling and our ‘buttered toast’ sunburst top. All other specs are standard to the FTC model, and can be found . This guitar was ordered by  in Charleston, SC, so please contact John if interested.  
  • Santa Cruz is thoroughly represented in television, film and top 40 hits of most genres by first call session aces. The celebrity front man usually sports an instrument on stage that is supplied by the brand with the biggest artist relations budget. But when it comes to their recordings, only the best guitar and player will do. Santa Cruz has provided the top studio professionals with style specific customizations for decades. The FireFly concept: Current technology has allowed artists to lay down tracks from remote locations creating a need for a sophisticated guitar that travels well and still delivers a professional performance. Some impartial observations from Guitar Player Magazine: “I’ve never reviewed a guitar that caused so many people to utter some variation on the phrase, “This might be the best guitar I’ve played in my life.” “This isn’t just the best small bodied guitar that I’ve played in years – this is one of the best guitars I’ve ever played period.” “The SCGC FireFly is a truly inspirational composing guitar.”
  • Bill Nershi was in need of a guitar that could keep up with his rigorous touring schedule. He worked closely with Richard and the SCGC luthiers to build a cannon of a dreadnought that could hold its own on the big stage and still maintain the subtleties of solo acoustic work… a powerful instrument with a flourish of appointments, perfect for the energetic front man of The String Cheese Incident. “SCGC has really captured the look and sound of the guitar that took me from Floradora Saloon in Telluride to Red Rocks Amphitheater and beyond. Whether I’m soloing up the neck, playing slide or just strumming chords, this guitar sounds sweet and full. Thanks Santa Cruz, you really nailed it.”- Billy Nershi
  • The Monarch amp in convenient combo form with Tall Bird-style reverb.
    The Monarch Reverb features a unique British-American switch, simple yet highly versatile controls, and perfect range of power to be used both cleanly and pushed on the stage and studio without wearing out its welcome, and incorporates tube driven spring reverb in a completely transparent no-compromises fashion into the classic Monarch circuitry. The circuit design is 100% original, or actually maybe just a combination of 30 different amps Chris likes plus a few ideas of his own. Either way, the resulting amplifier could be, and often is, the end of your search for perfect guitar tone. The Monarch was designed to make you consider ditching your drive pedals (though it takes pedals like a winner). It was designed to have harmonics when clean, and clarity when it’s pushed. It is designed to transition from clean to compressed to distortion with a complete lack of harsh harmonics or weird resonances. The cabinet is open backed and pine to project sound in all directions like an acoustic guitar…a true tone wood that lends it’s own musicality to the guitar’s sound. The build and finish quality is second to none. We get asked constantly "What is the Monarch based on?".  Translation: "Which 60s/70s amplifier did you clone and tweak when you developed your product?".  It's a fair question...most builders do this, and that is fine.  We did something new, so there isn't a simple answer.  However, we can tell you where the Monarch falls in terms of sound and feel compared to existing amplifiers.
  • VINNY 1 WATT GUITAR AMPLIFIER THIS LITTLE ONE-WATTER IS NO TOY. CHRIS SPENT SEVERAL WEEKS ON THE DESIGN SEEKING A GIANT SOUND IN A COMPACT PACKAGE EQUALLY AT HOME IN THE LIVING ROOM AND STUDIO. BEAUTIFUL CLEAN AND DRIVEN SOUNDS ARE ACHIEVED AT CONVERSATIONAL VOLUMES. THE VINNY HEAD IS THE SIZE OF A SIX-PACK OF TALL BOYS. THE SINGLE VOLUME CONTROL IS ALSO A TONE CONTROL: VINNY STARTS OUT BRIGHT WHEN THE CONTROL IS SET LOW AND CLEAN, AND GETS DARKER AS IT IS TURNED UP AND DRIVEN INTO COMPRESSION, OVERDRIVE, AND EVENTUALLY DISTORTION. THE KILLER FEATURE OF THIS TINY AMP IS AN INTERNAL LOAD AND POST-OUTPUT-TRANSFORMER LINE OUT… VINNY MAKES A KILLER PREAMP! PLUGGED INTO ANOTHER AMPLIFIER, OR EVEN A RECORDING CONSOLE, REAL POWER TUBE DRIVE SOUNDS ARE AVAILABLE AT ANY VOLUME! VINNY’S COMPANION SPEAKER CABINET IS 1X10 BALTIC BIRCH PLY LOADED WITH A JENSEN C10R DRIVER.
  • The Wee Lowden was designed by George at the request of Gary Lightbody as a gift for Ed Sheeran. It is designed to be compact with a 610 mm scale length, and a soundbox that is 40 mm narrower and 5 mm shallower then the S model. However, the internal bracing and the choice of woods are such that the bass response is increased as much as possible to avoid the 'boxy' sound that most small guitars have. The Wee Lowden is currently available as standard in two configurations; the Wee Lowden 25 and the Wee Lowden 35.
  • The Robb Report showcases the simple elegance of this SCGC model as a way to ‘own the extraordinary’ instead of ‘settle for the ordinary.’ Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument’s design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border.
  • In 1934, the powerful 14-fret herringbone dreadnought was unleashed. This has become one of the most revered and sought after designs of the steel string acoustic guitar. No one has reproduced the essence of the iconic original, until now. The secret to the often superior tone of vintage instruments lies in aged woods (crystallized resins) and the relaxation of tensions built-in during manufacture. This is exactly what we account for in our 1934 D Model. Brazilian Rosewood cut in the 1930’s, master grade/old growth Adirondack Spruce tops/bracing and real hot hide glue are among our secret weapons. Hot hide glue is a time tested, natural adhesive that sets glass-like and resonant for a quicker, cleaner response. This isn’t ‘like the old stuff.’ It is the old stuff. These rarified materials give us the foundation for a true and genuine vintage sound. Not every venerable 1930’s herringbone dreadnought was exceptional, as they were products of a small, though nonetheless factory, assembly. By applying our singular tuning and voicing talents and taking our time to ensure a relaxed assembly, we consistently access the secrets to the ‘Old Bone’ sound. The original lacquer formula, nitro-cellulose, is composed of the same stuff as trees; we are protecting and enhancing the sound of the instrument with a fine coating of wood! It is the only choice to complement this heirloom quality guitar.
  • he Tony Rice Signature Model represents over 30 years of collaboration between the world’s foremost flatpicking icon and SCGC’s founding luthier, Richard Hoover. Today’s model incorporates decades of refinement in response to players’ demands and the sophisticated evolution of the master’s technique. Never intended to be a copy of Mr. Rice’s iconic 1935 Martin D-28, the TR Model is voiced to showcase his stellar lead work with influences from Clarence White to John Coltrane. This guitar delivers exactly what the contemporary flatpicking artist needs: substantial treble and midrange for rapid single-line lead, clean note separation for definition and the traditional bass boom without the woofy bottom end of some of the venerable Pre-war dreadnoughts. Master grade Indian Rosewood and old Sitka Spruce give this instrument a professional presence at an attainable price.
  • The Seeker Pro Vintage Wood guitar utilizes vintage reclaimed woods. Some of these tops use wood that is over a hundred years old. These guitars ooze a vibe that only a truly vintage wood can give them and a built in history. Many of the tops are older than electric guitars. These are one of kind guitars. Poplar Body, Honey Stain with Tru-Oil Finish, Maple 22 Neck, Hipshot Bridge, Seymour Duncan APS-1 Pickups, Sperzel Tuners, and Full Chamber Body.
  • With its mighty jumbo body style, solid-top construction, stunning cosmetic features and premium electronics, the GJ72CE is a commanding acoustic/electric guitar that is built to perform. Featuring a solid spruce top and flame maple back and sides, the GJ72CE produces all the volume and robust sound that players expect from a jumbo guitar. The slim mahogany neck and 12"-radius bound rosewood fingerboard provide great feel and playability, while the onboard Takamine TK-40D preamp system gives you a built-in tuner, three-band EQ and gain controls, mid contour switch, notch filter and EQ bypass switch for the ultimate in versatility and sound quality. Other great features include a synthetic bone nut and split bridge saddle, rosewood headcap, abalone rosette, abalone "reversed mountain" inlay at the 12th fret, gold die-cast tuners with pearl buttons, and a beautiful gloss finish.
  • Radius: 10″ Slab or Contour Single Pickup. Bridge pickup is an added charge. Traditional electric setup. Mods are welcomed, but may need to be emailed in and may have an added charge. Neck Profiles: C All necks are worn down on the back for a super smooth and fast feel. Body: Swamp Ash or Alder Pickups: Lollar Pickups or Porter Pickups (others available upon request and could require an additional charge) Light, Medium, Heavy, or Extreme Relic (We do not offer non-aged models) Hard shell case tweed included Body colors, neck finishes, and hardware options are located at the top of the page on the Order Form tab. Due to the endless upgrade options we will list a few basics for this model: Binding, Flame Tops, Flame Necks, etc… For more detailed photos please visit our Facebook page and take a look at our albums.
    • Body: American Red Alder
    • Finish: Ice Metallic Blue
    • Neck: Maple with Indian Rosewood fretboard, C shape neck, 7.25'' radius, 6230 frets
    • All nitrocellulose lacquer finish
    • Pickups: Rebel Vintage T-64
    • Electronics: Alpha pots, NOS capacitor, Oak Grigsby 3 way switch, Cloth wire
    • Features: Double binding, Custom Metallic color
    • With case
  • THOUGHT UP WITH A DESIGNER'S APPROACH TO AESTHETICS AND BEAUTY AND MADE WITH A MUSICIAN'S APPETITE FOR AN INSTRUMENT OF HIGH QUALITY AND PLAYABILITY.

    EVERY MIKAGI GUITAR HAS A STORYTHAT BEGAN LONG BEFORE IT BECAME A MUSICAL INSTRUMENT.

  • The Togo

    $3,450.00

    Specifications

    • NECK PROFILE: C
    • INLAY: Celluloid
    • BINDING: Cream (with optional purfling)
    • PICKUPS: Wizz premium PAF
    • BRIDGE: Tune-o-matic (with trapeze, stop or vibrato)
    HARDWARE: Chrome
    • FINISH: Nitrocellulose
    Tuning Machines: Grover Sta-Tight Open Gear
    Potentiometers; Bourns 500k , Dome Knobs Bridge and Tailpiece; Tune-o-matic, Stop Top and Back; Curly Maple Sides, center block, neck; Quartersawn Mahogany Fretboard; Ebony Inlay;  Celluloid T.V. Binding; Single ply Cream Frets: Medium/ tall nickel silver Headstock Veneer;  Macassar , maple Finish; Nitrocellulose, "Night Owl"
  • Santa Cruz FTC

    $13,950.00
    FLAMED MAPLE /  BACK AND SIDES
    ITALIAN SPRUCE TOP
    FLAMED MAPLE NECK
    DECO FINGERBOARD INLAY
    FULL BODY SUNBURST
    WIDTH AT NUT 1-11/16"
    FINGERBOARD SIDE DOTS- BLACK
    WIDTH AT 14TH FRET 2-3/16"
    SCALE LENGTH 25.375"
  • Custom D Specifications: Back/sides: Figured Mahogany
    Top: European Spruce
    25.375″ inch scale length,
    14 frets to the body
    Standard features: Abalone/mother of pearl songbird vine inlay,
    SCGC logo on fingerboard
  • Neck Logo: White Palir™ Signature Neck Finishes: Dirty Roast (Grey) Palir™ "Vintage Smoke" Neck Treatment Yes Neck Dots - Top & Side Inlay Markers Black Nut Width 1.65" - Vintage Narrow (Common on our Guitars) Neck Radius (Straight and Compound) 10" Neck Shapes  C Scale Lengths 25.5" - 21 Frets (Most Common Fret Size 6105 - (.090" x .055") Great All-Purpose Fre Neck and Fret Board Material Hard Rock Maple - Maple Fret Board Tuning Keys: Gotoh Vintage Pegs Body Color: *Mojo Finish (Mojo in White w/Pelham Blue Grain Highlights) Palir® Stinger Body Material: Swamp Ash Neck - Pickup Route Strat Single Coil Middle - Pickup Route Strat Single Coil Bridge - Pickup Route Strat Single Coil Control Routes: Top of Body (Most Common) Body Aging Degree: Light Pickguard Material: Silver Sparkle Pickgaurd Style: Traditional Strat Pickup Brand: Lollar Pickups Tremolo: Vintage Nut Material: TUSQ
  • I designed the Sideman amplifier about 4 years ago as the only two channel Milkman amplifier. It served as a go between for guitar and pedal steel players. However, I decided to introduce a brand new single channel version that I consider to be the "full featured" version of the 40W Pedal Steel Mini. Many guitar players were asking if the Mini could have this feature or that - why not just throw the kitchen sink into the Sideman? Well, thats exactly what I did! The preamp circuit and overall voicing is the same as the 40W Mini, however the Sideman has larger transformers and runs at slightly higher voltages inside. That, coupled with its larger speaker baffle gives the Sideman an impressive amount of power for how small and light it is. Similar to the Mini, you can run a 5AR4 rectifier or a solid state plug in rectifier in place. The Sideman has gotten a total makeover from its original form: it has shrunk down into a 1x12" combo that weighs about 41lbs, features a 3 band EQ with bright switch, and has a 2 knob reverb system with dwell and blend controls. Dwell allows you to lightly drive the tank when running the preamp hot. Another addition to the Sideman is rich, deep, bias modulating tremolo. The amplifier comes with the custom Milkman two button foot switch, and a removable IEC type power cord. The Sideman is hand wired onto a turret board with Mercury Magnetics transformers and Jupiter capacitors. The combination of a pine cabinet and efficient speakers keeps the weight down to about 41lbs while putting out a considerable amount of volume, and fantastic guitar tone. For customers who are interested, I will still build a custom two channel Sideman as a dual channel Steel/Guitar amplifier. Please contact me through the contact page.
  • WATTAGE

    10W Class A

    SPEAKER

    12” Celestion Greenback, 8 ohm

    EFFECTS

    Voltage Controlled Power Scaling

    DIMENSIONS & WEIGHT

    20" W x 16" H x 9-1/2" D 25lbs
  • WATTAGE

    10W Class A

    SPEAKER

    12” Celestion Greenback, 8 ohm 12" Jupiter Alnico, 8ohm 12" Alnico Blue by Celestion, 8ohm

    EFFECTS

    Voltage Controlled Power Scaling

    DIMENSIONS & WEIGHT

    20" W x 16" H x 9-1/2" D 25lbs
  • Ultra lightweight, Semi-hollow guitar, Very resonant
    • Body: Ayous wood, Ultra lightweight! Only 3 Kilos!
    • Finish: Burgundy Mist, Medium Aged
    • Neck: Maple, C profile, 7.25 radius, 6230 frets
    • All nitrocellulose lacquer finish
    • Pickups: Rebel Vintage RV-Trons
    • Electronics: Alpha 250k solid shaft pots, 3 way toggle switch, NOS capacitor, cloth wire
    • Features: Custom Color, Bigsby B11, Jazzmaster bridge, down bar,  Custom Pearloid guard, Custom black pearl logo
    • Weight: 3 Kg / 6 lb 6 oz
    • WITH CASE
  • Model: Lightning Body: Mahogany + Maple top & back Neck: African Mahogany Neck Radius: 12″ Profile’s: .800 @ 1st Fret -1.020 @ the 12th Fret Nut Width: 1-11/16″ Fingerboard:  Ebony with dot markers Fret wire: Jescar 45 X 100 Medium Jumbo Pickups: Filter Trons Capacitors: .022 Russian Military Pots: Emerson Custom Bridge: Advanced Plating Locking ABR + Stop Tail Tuners: Kluson Supreme Colors: Standard + Custom Aging Levels: MEDIUM All finish work done In Nitrocellulose Lacquer. Includes hard-shell G&G case.  
  • BODY;  SWAMP ASH PICK UP ROUTE; HUM HUM BRIDGE; TUNEOMATIC FINISH; TEXTURED, CALI SPEED RACING, TURQUOISE HARDWARE AGED NICKEL BRIDGE;LOCKING LUXXTONE TUNEOMATIC ELECTRONICS; BRIDGE PICKUP; LUXXTONE HOT NECK PICK UP; LUXX BUCKER NECK WOOD; ROASTED MAPLE FINGERBOARD;1 PIECE ROASTED MAPLE RADIUS; 10 - 16 FRET SIZE;TALL/ NARROW .090/ .055 NECK; THIN C .79 .89 NUT;  1 -11/16 STRINGS; 10 46
  • BODY WOOD; SWAMP ASH PICK UP ROUTES; H-TELE WIRING; VOL/ TOGGLE BRIDGE; CHOP  T FINISH; NITRO COLOR; BLACK OVER PELHAM BLUE AGING; HEAVY HARDWARE. COLOR; AGED NICKLE BRIDGE; LUXXTONE CHOPPA -T PICKGUARD; ANODIZED GOLD ALUMINUM PICKUP; ARCANE ULTRATRON NECK PU; ARCANE T42 POTS, EMERSON NECK WOOD; QUARTER SWAN MAPLE FINGERBOARD; INDIAN ROSEWOOD NECK SHAPE; .78-.85 RADIUS; 10-14 FRET SIZE; TALL/ NARROW/.090X.055 NUT; 1-11/16TH
  • This new series of resonator guitars from Paul Beard reflect the stylings of the Art Deco period in which the resonator guitar was originally developed.   Applying innovative modern construction techniques to create a vintage vibe and sound is what gives these new instruments their appeal!   Crafted at the Beard Mastershop in Maryland, this is a hot seller.   Check with us for availability. Get one now!    Infinitely Playable... Uniquely Collectible.
  • Palir® Titan "C4" Logo: Black Body: Swamp Ash Headstock: Sonic Blue Neck: Maple Neck Finish: Dirty Nut Width: 1 5/8" Profile: C Radius: 10″ Frets: 6105 Nut: Graphtech Tusq Trem: Bigsby and Bigsby Compatible Bridge Electronics: Emerson Tuners: Gotoh Locking Pickups: Lollar El Rayos Pickguard: Tortoise Paint: Aged Desert Sand